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Radiation City

Contact

Brooke Black Just-Olesen
Big Hassle Media
brooke@bighassle.com
212-619-1360

Biography

Radiation City
Cool Nightmare

The inspiration for Radiation City’s newest output stems from an old piano. The piano has lived in drummer Randy Bemrose‘s basement for eons. It’s old, cumbersome, and on it’s last legs. The band used sounds from the piano throughout the recording of this new EP… not just the keys though, the clicks and clacks from the body, the slamming of the lid, and virtually every other sound you can imagine making on the piano. After they were finished, the piano was beat up, out of tune, and falling apart. Having used the old piano of all it’s worth, and as a celebration of an intense year, Radiation City engaged in the ceremonial destruction of the old piano documented on the first single’s video, “Find it of Use.

Cool Nightmare is the followup to the dream-pop quintet’s acclaimed debut, The Hands That Take You, released this past fall on Tender Loving Empire (Typhoon, Loch Lomond). Originally out via cassette on Radiation City founders Cameron Spies and Lizzy Ellison‘s cassette-only record label Apes Tapes, The Hands That Take You has been lauded by MTV, ELLE, Brooklyn Vegan, Paste, FuseTV, Prefix, and The L Magazine.

Radiation City is influenced by certain staple macro-genres such as 60′s bossa nova and Chicago jazz, but their version of this classical sound is supported by irresistible pop vocal hooks and the employment of minimal electronics which provide rhythm but leave plenty of space. The band will soon embark on their first trip to SXSW as part of a tour that will take them down the West Coast and through the Midwest.

Radiation City is Lizzy Ellison (vocals, keys), Cameron Spies (guitar, vocals), Randy Bemrose (drums, vocals), Matt Rafferty (bass, vocals), Patti King (vocals, keys, bass).

Quotes

“The music lives up to the buzz…Plus, Lizzy Ellison’s gorgeous vocals are infectiously charming.” – ELLE

“Their dreamy, faraway sound reminds us of a sunshiny marriage between Reading Rainbow and the Dum Dum Girls…Either way, let’s just say it’s really good.”- NYLON

“one of the year’s more charming debuts which drifts between moody, organ-driven numbers and more upbeat pop.” – Brooklyn Vegan

“The Things You Tell Us,” a spookily gusty piece that makes you grab tightly to the collar of the coat you’re wearing and pull it in tighter around your neck… belly-full of magnificent dynamic tension, as if we were being stirred up, but we weren’t sure by what or by whom” – Daytrotter

“Super dreamy…some of the most pleasing music of the last few decades thoughtfully time-warped into a fresh new tune.” - My Old Kentucky Blog 

 ”The emergence of Radiation City could be inspiring – or fairly frightening – for a host of electronic-, retro-, garage-, chamber-, and just plain “dream-pop” manufacturers. ‘Cause it’s just raised the bar a lot higher.” My Old Kentucky Blog

“this is superbly crafted, easily pinpointed yet unmistakably captivating, pop music,” Death + Taxes

“Radiation City unapologetically tap several tried indie-band descriptives — sunny, 60s, dreamy, etc. — and succeed in carving out their own compelling sound” - Death + Taxes  

“influences that range as far as 60′s girl groups, 50′s doo wop, classic indie (sweet) pop and (crunchy) rock, and 70′s singer/songwriters.” – All Music Guide

“Lizzy Ellison’s clear-blue voice…that’s the real selling point” – The L Magazine

“They’ve got a sly bossa nova thing going on too, and a slight gothic-pop thing, and a Phil Spector girl-group thing, and a clear-blue vocal thing… We’d like to make a bid for them to move to Brooklyn, please.” – L Magazine

“The Hands That Take You…dreamy, catchy effort” – Prefix Magazine

“‘The Hands That Take You’ is a gem; subtle and beautiful and strange…” – The Deli Magazine  

“the fluidity of Ellison’s rich vocals fermenting in warm steel casks of reverb, and the glibs, glitches, pots, and pans uncut from the songs’ liminal spaces.” – Portland Mercury

“While Radiation City is undoubtedly a polished act, it is with a certain spit shine that they obtain their luster “- Portland Mercury

“When Radiation City fell from heaven, it certainly didn’t do me any harm…“The Color of Industry,” is the best pop song I’ve heard in years” – Impose Magazine

“Born from the memory-dreams of yesterparents’ vinyl, there’s something aged about Radiation City that will take you away on nostalgia wiser than your years while thoughtfully reminiscing in something you’ve yet to hear.” -Willamette Week

“The Color of Industry” is a perfect example of why Portland’s favorite buzz band can’t be stopped right now.” – Be Portland

“…the warm, fuzzy effect the record has on your ears only heats up your body in person making the vinyl-pop nostalgia a living, breathing reality.” – Oregon Music News

“pure magic…” – WOXY Future Sounds   

“‘The Hands That Take You’ is a gem; subtle and beautiful and strange…” – The Deli Magazine   

“easy to place, impossible to ignore.” – Refinery29.com  

Additional Highlights:

Fuse TV – Song Feature for “Color of Industry”
MTVHive – Premiered “Park”
Paste – Exclusive Album Stream
Featured on NY1

Press Releases

Photos

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Cool Nigtmare - Album Art

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Mike Harper

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Cameron Spies, Lizzy Ellison, Randy Bemrose, Patti King, Matt Rafferty

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Cool Nightmare - USB drives

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Cool Nightmare - USB drives

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Cool Nightmare - USB drives

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