Born and raised on the Upper West Side of Manhattan, Raffaella is a senior at Barnard College at Columbia University where she studies French Literature and Philosophy. She has spent the past year collaborating with the band Bråves and will be releasing original music throughout the upcoming months. Other recorded music includes her work with Marius de Vries on the title song for Francesco Carrozzini’s upcoming documentary, Chaos and Creation, which she performed at his event for the House of Peroni during New York Fashion Week Fall 2016. Her most recent performances include Galore’s “Girl Cult” after party during the Summer of 2017 & Annie O’s Live Music Series at The Standard during the Fall of 2017.
It wouldn’t be surprising if Raffaella actually stepped out of frame from some long-lost Jean Luc-Godard film and into reality.
Quick to rattle off Billie Holiday, St. Vincent, and Regina Spektor in the same breath as influences, the J.D. Salinger-quoting New York-born and -bred 21-year-old Columbia University senior cites The Godfather and Taxi Driver among her fashion touchstones and pens clever and catchy dream pop that’s as lively as it is literary. This vision unfolds on her forthcoming 2018 debut EP produced by shadowy anonymous triumvirate BRÅVES.
“Music is magic in that it allows people to think and feel at the same time,” she exclaims. “That dual-sensation is impossible in any other aspect of the world. If the melodies are strong and the lyrics are strong, people might just connect on personal and universal levels. Music has given me a lot of comfort. Literature has given me a lot of comfort. I wanted to combine those feelings somehow and allow others to experience the same energy.”
Growing up on Manhattan’s Upper West Side, she studied classical piano from the age of four until thirteen. Though she can recall impromptu living room performances of the entire Hairspray soundtrack at six years old, she formally embraced her voice in musical theater during high school.
However, the family astrologist forecasted what she would eventually do with startling accuracy…
“My family took me to an astrologist when I was a day old,” she elaborates. “We’ve been in contact for my whole life. He always told me that I needed to be writing songs—that it was my gift. I thought it was fucking crazy for the longest time,” she laughs. “In senior year, I found the confidence to do just that. I discovered my love for songwriting through the power of lyrics.”
Upon graduation, the budding artist traded coasts and pursued professional acting while attending the University of Southern California. Joining a sorority 3,000 miles from home proved to be something akin to a social experiment.
It might sound like a detour, but it actually brought her precisely to the place the astrologist predicted nearly two decades earlier.
“In the sorority, I discovered this new species of females who were ridiculously manicured, pretty, mean, nice, smart, stupid, and driven for all of the wrong reasons,” she sighs. “It was just a world of contradictions. They desired individuality, but it was all about conformity. I got so sucked into the culture that I thought, ‘I’m not pretty enough to even go to this school.’ I started doubting myself severely. I wanted to have conversations about books and films and feed my brain. So, I secretly recorded the sorority meetings when I got in trouble like a spy – I embraced the normalization of this crazy behavior and made something out of it. I came home, got into Barnard, and opened up a new chapter. I started singing again around that time.”
Uploading demos and covers online, she caught the attention of BRÅVES who invited her back to Los Angeles in the summer of 2016 in order to record. The producers and songstress immediately harnessed an undeniable creative chemistry together in the studio.
“They definitely brought a lot of self-reflection, communication, and knowledge to the process,” she continues. “I was such a newbie when we started. They showed me the ropes. They had me fill out this ‘Epistemological Profile’ in order to get to know who I am. It made me grasp what’s important to me and what I want to accomplish.”
Her intent becomes clear on the debut single “Sororicide.” Bright piano bubbles under breathy harmonies and a Heathers homage as she confesses a fear of “being a basic bitch” just before the intoxicating refrain, “We’re getting high on sororicide. I can be your friend, if we just play pretend.”
“I really wanted to write a happy song,” she says. “That’s a challenge for me, because I’m so attracted to darkness. It was about capturing light energy and a dark subtext. I was like, ‘My biggest fear is being a basic bitch, but I’m also jealous of them because of how complicated I make my own life.’ That’s unfair of me to assume everything is easy for other girls; they probably have their own problems. I’m on the outside, but I’m also on the inside. By judging the girls in the sorority, I was just judging myself. In the end, we’re all women. We make the boys into men. We’re all smarter than they think we are. That’s the point.”
Elsewhere, “Vigilante” conjures up a film noir-worthy fantasy. Upon one listen, her voice captivated filmmaker Francesco Carrozzini who asked her to sing for his documentary Franca: Chaos and Creation following the life of late Vogue Italia editor Franca Sozzani. Meanwhile, Raffaella took the stage to perform at events for Galore, The House of Peroni, and more.
“It was about finding that jazz-y vibe and making it more modern,” she elaborates. “I wanted to marry the worlds of Lana Del Rey and Billie Holiday. Lyrically, it’s the feeling of when you’re a good person, but somebody fucks up. So, because you’re fucked up, you fuck someone else up. This guy I was seeing made me play games. That’s not a healthy relationship.”
With this honesty, wit, and heart, she ultimately possesses the potential to be something of a sonic heroine.
“It took me so long to find my voice as a young girl,” she leaves off. “I know what it’s like. I want to help young girls find their voices. That would be the best thing I could do.”
– Rick Florino
UNABASHED STUDENT OF FEMINISM & ALT POP ARTIST
SHARES NEW VIDEO FOR “SORORICIDE”
ON PAPER MAGAZINE
Watch & Share: https://youtu.be/OEMFMy_1cV4
Listen & Share: http://smarturl.it/sororicide
“Over the last few months, movements like Me Too have sparked much-needed discussion surrounding the daily violence women are forced to endure in and outside of the workplace. But, as New York-based singer-songwriter Raffaella knows, the fight is far from over.”
— PAPER MAGAZINE
“[Raffaella] doesn’t suffer fools, nor does she accept women shunning other women for their own empowerment, and we learn this right away in her brilliantly ironic debut, “Sororicide”.”
— HILLY DILLY
“Newcomer Raffaella is the queen of sass on “Sororicide.” It seems like she’s singing to a frienemy.”
New York-based artist and student of feminist philosophy, Raffaella, releases her first official music video for “Sororicide,” which was #1 for a few days on Spotify Viral US Top 50 and #6 on the Spotify Viral Global Top 50 cause of its placement on Spotify New Music Friday.
Raffaella is currently a senior at Barnard College at Columbia University, where she studies French Literature and Philosophy and “prefers Salinger to sororities (Cools).” Over the past year, she has been busy collaborating with the band Bråves and will be releasing original music and a new EP over the next few months (dates TBD). She has worked with Marius de Vries on the title song for Francesco Carrozzini’s upcoming documentary, Chaos and Creation. She also performed at his event for the House of Peroni during New York Fashion Week Fall 2016. Her most recent performances include LA’s School Night (March 5, 2018) and Galore’s “Girl Cult” after party during the Summer of 2017 & Annie O’s Live Music Series at The Standard during the Fall of 2017.
Raffaella already has a large following, and it’s got to be something about her complexity. Her music isn’t just pretty — there’s a message there. It’s feminist, but not man-hating. It explores the hypocrisy within the movement and the ways women can empower (or disempower) each other.
Here’s what she has to say about the song:
I wanted to write about my resentment of women putting other women down in their misled search for empowerment, and I felt that the only effective way to accomplish that was to act exactly as they had. This song is essentially my attempt at mocking the girls who usually mock the other girls whilst mocking myself. The word “Sororicide” is actually in the dictionary; it means “the act of killing one’s own sister.” It was a perfect fit for the song’s balance of female antagonism and sisterly affectations.
The editor of the video is Jarrett Fijal (Raffaella’s co-star in the video, Olivia’s, dad) — he’s got quite a background with editing videos for the world’s most famous artists, such as David Bowie and Beyoncé.
Raffaella on “Sororicide” —
“When I was freshman in college, a girl shared an inspiring facebook post on a sorority page regarding a boy who needed a date for a social event. She suggested that “any young housewife socialite in training” would “want to strap him down and never let him go.” Self-expression, for the girls surrounding me, seemed inextricably linked to the boys’ potential judgments. Girls were told not to drink too much because if they wanted to meet their potential husband, they shouldn’t be plastered – as opposed to, don’t binge drink because you could get seriously sick or, more importantly, potentially assaulted. This EP was my rebellion to this world in which women were doomed to passivity. I want this music to be a wake up call to those who have lost their voice to a culture that all too often drowns out the perspectives of young women.
A lot of my lyrical inspiration came from the books I had been reading – the summer I wrote most of the EP with Bråves, I read The Girls by Emma Cline; her attention to detail, along with Salinger, my literary guru, taught me that specificity brings stories to life. I found melodic inspiration through artists like Debussy, Nina Simone and Regina Spektor. Most of my music mixes pretty and flighty melodies with heavy and subversive lyrics. Disparities create a pretty cool tension, leaving people to feel some emotion that is not entirely comprehensible. That’s my favorite thing to do, allow people to feel something without any need to define it.”
A view into Raffaella’s life:
SHARES VIDEO FOR “BRUCE WILLIS”
WATCH & SHARE: “BRUCE WILLIS” —
Apple – https://raffaella.ffm.to/brucewillisapple
VEVO – https://raffaella.ffm.to/brucewillisofficialvideo
LISTEN & SHARE: “BRUCE WILLIS”
Raffaella’s break-out single “Sororicide” —
Watch & Share: https://youtu.be/OEMFMy_1cV4
Listen & Share: http://smarturl.it/sororicide
“Throw on some rose-colored glasses and kick back as you watch the “Bruce Willis” video”
“Confident she’s no one-hit wonder…a very smart, badass slice of alt-pop… Raffaella again drops social commentary on the elite.”
– CONSEQUENCE OF SOUND
“Bruce Willis” is now available everywhere. The new single, produced by Larzz Principato and premiered by Consequence of Sound, takes inspiration from Mason Currey’s “Daily Rituals: How Artists Work,” Beverly Hills, François Rabelais’ “Gargantua,” Bruce Willis and “Milk and Honey” by John Lennon.
Raffaella says, “It’s easy to find solace in solitude when you’re a kid, but then suddenly you grow up and solitude becomes scary. We wanted to explore the journey back to an age where feeling isolated was a good thing. The video’s narrative parallels the paranoia expressed at the beginning of the song as I discover that my apartment is a wreck, my dad is still sleeping in his room, and I’m left to clean up the mess alone. Right before the chorus hits, I find a pair of rose colored glasses on one of my sleeping friends, which is when the perspective shifts from that of a responsible adult to that of a curious rug rat. From then on, the story plays with reality in the same way that a kid or a dream would – i.e. I dance around in my mother’s dress, talk to inanimate objects as if they were listening, interact with my friends while they’re still clearly asleep. I wanted the video to have an open ending – it’s always more fun to let the viewer fill in the blanks.
Fun fact/side note, this was all shot in my childhood apartment, and I star in the video alongside my real dad, who actually fell asleep for most of the shoot, which, according to him, was him “method acting.”
Director Luke Marcus Rosen says, “I wanted to make an ode to childhood that was lonely but sweet, existing in the in between world of when you’re a kid becoming an adult. Where a child once had tea parties with their dolls becomes the same space they drink with their friends to lose their inhibitions. The floating accompaniment of the guitar with Raff’s dreamy vocals focused my attention to create a surreal after-party where the video walks a fine line questioning what’s real and what’s in a dream, and the song complimented the playful nature we had Raff perform during the shoot.”
Raffaella recently debuted her first official music video for hit single “Sororicide” via Paper Magazine. The song reached #1 on Spotify Viral US Top 50 and #6 on the Spotify Viral Global Top 50.
Raffaella already has a large following. Her music is complex – both beautiful and culturally relevant. It explores hypocrisy within the feminist movement and the ways women can empower (or disempower) each other.
Raffaella is a recent graduate from Barnard College at Columbia University, where she studied French Literature and Philosophy and “prefers Salinger to sororities (Cools).” Over the past year, she has been busy collaborating with the band Bråves and will be releasing new music over the coming months. Raffaella has worked with Marius de Vries on the title song for Francesco Carrozzini’s documentary, Chaos and Creation, and has most recently opened up the artist Years & Years, playing to a sold out crowd at Brooklyn Steel.