The Kinks are recognised as one of the most important and influential British rock groups of all time. From their explosive beginnings as part of the British Beat movement to forays into concept albums, stadium rock, and acoustic balladeering, The Kinks have left an unimpeachable legacy of classic songs, many of which form the building blocks of popular music as we know it today.
Hailing from Muswell Hill in North London, The Kinks were formed by brothers Ray and Dave Davies. Calling themselves The Ravens, an early line-up saw them playing a combination of R&B and rock and roll with friend Peter Quaife on bass. A self-produced demo tape reached record producer Shel Talmy, who helped the band land a contract with Pye Records in 1964. Before signing, the group replaced their drummer with Mick Avory and renamed themselves The Kinks.
With the classic line-up in place, music history was about to be written when the group’s third single, You Really Got Me, stormed to the top of the UK charts. Written by Ray in their parents’ front room and fueled by Dave’s aggressive, outrageous guitar sound, the song has since been cited as the inspiration for garage rock, punk, heavy metal and by contemporaries, The Who. An album, The Kinks, was hastily assembled in the aftermath of the massive hit and was, in turn, swiftly followed by a second Top 10 single, All Day and All Of the Night.
Between 1965-1967, The Kinks enjoyed their first commercial peak, scoring nine British and seven US chart hits. 1965′s Tired Of Waiting For You displayed Ray’s world-wary vocal style while Dave came up with a then-innovatory Indian-style drone guitar on See My Friends. As Ray’s songwriting developed, he emerged as a witty, compassionate social commentator, chronicling the absurdities and aspirations of English life. He took stabs at fashion victims with Dedicated Follower Of Fashion and upper-class hedonists on Sunny Afternoon. He even created a hymn to the Thames on the peerless Waterloo Sunset, which has evolved into something of a British anthem: an introvert’s love letter to that “dirty old river” and London itself.
Despite the Kinks’ commercial success at home, an unresolved dispute with the American Federation of Musicians during a 1965 tour led to a ban on US appearances which lasted until 1969. So, with most UK bands looking to America’s burgeoning flower power revolution for inspiration, Ray looked no further than his back garden for inspiration. The songs on albums Face To Face and Something Else are filled with small gems detailing life around him – sometimes comical, sometimes cynical, always clever and melodic. In 1967, Dave Davies stepped into the spotlight as a solo artist for his hit Death Of A Clown, one of the very few songs co-written by Dave and Ray. Dave released three other singles over the next two years, all high- quality work which did not end up reaching the chart success of Death Of A Clown, and a solo album effort was canceled.
Perhaps the finest of this period was the band’s 1968 album, The Kinks Are The Village Green Preservation Society. On the album Ray developed the major themes of his work, in praise of the traditions of a near-mythical England lost among modernity. The album was overlooked
by the British record-buying public and one of the Kinks’ most artistically successful albums slipped away. Fortunately, subsequent years have seen it grow in stature and it’s now recognised as one of the most important British albums ever released. After its release and in the first change to the original band lineup, Pete Quaife left to pursue other musical ventures in 1969, replaced by bassist John Dalton.
The loftily-named follow up, Arthur (Or The Decline and Fall of the British Empire), addressed similar themes, portraying an English family looking back over their experiences before emigrating to Australia with vignettes exploring war, the class system, and national and personal identity, featuring the oft-covered Victoria. The mood lightened a little with the monster 1970 gender-bending hit single Lola, the centerpiece of that year’s Lola Vs. Powerman And The Moneygoround, a trip through the highs and lows of the music business. 1971′s Muswell Hillbillies album echoed Village Green’s collection of storybook vignettes and the single Supersonic Rocketship from the rollicking, brass- enhanced Everybody’s In Showbiz went Top 20 in 1972. The sentimental Celluloid Heroes from the same album became a live favourite, and an AOR radio staple.
The remainder of the 1970s found our heroes tackling a dazzling array of real-life themes and situations ranging from political structures and corruption, pop culture and delusion, and the UK educational system with the band’s four concept albums: Preservation Act 1, Preservation Act 2, Soap Opera, and Schoolboys in Disgrace. Their sizeable following in the US, gained from constant touring after the union ban was lifted, brought them commercial rewards and, in 1977, a Top 30 album in the form of Sleepwalker, and Top 40 for 1978’s Misfits.
For many years The Kinks had been receiving reverential nods from the rock fraternity, all of which increased their cachet with wave after wave of new bands and musicians. In 1978, The Jam had covered David Watts while The Pretenders had their first UK hit with a version of Stop Your Sobbing, and Van Halen jumpstarted their career with a hard rock take on You Really Got Me. Biggest of all was Kirsty McColl’s breathtaking take on Days.
In 1979, the band released the hard rock Low Budget album and became belated rock stars in America, gaining entry into the stadium rock circuit, and selling out Madison Square Garden. In 1980, Dave Davies released a well-received self-titled album, and made a solo appearance on the long-running TV show, American Bandstand, followed by his albums Glamour and Chosen People. Americans also bought up Kinks albums Give The People What they Want in 1981 in droves, which featured the hit singles Better Things and Destroyer. In 1983, The Kinks found themselves back in the UK charts with Come Dancing, which remains the band’s highest charting single in America, from the album State of Confusion. 1984’s Word of Mouth LP featured Do It Again and Living On A Thin Line, which were in high rotation on American rock radio stations.
In his highly-limited time off from world touring, Ray stepped outside his work with the Kinks to collaborate on musicals Chorus Girls and Around The World In 80 Days. In 1985, original drummer Mick Avory left the band and was replaced by Bob Henrit. That same year, Ray Davies released his first solo album, Return To Waterloo, a soundtrack to an innovative musical film he wrote and directed for British television.
In 1990, all four members of the original Kinks lineup – Davies, Davies, Quaife, and Avory — were inducted into the prestigious American Rock n’ Roll Hall of Fame. Through the 90s, The Kinks garnered a whole new generation of fans as yet another wave of musicians paid tribute to the band. Blur’s Damon Albarn in particular acknowledged Davies as a key influence, as did Noel and Liam Gallagher from Oasis, with Ray Davies garnering the fond title, “Godfather of Britpop.” 2005 saw the Kinks’ entry into the UK Music Hall of Fame.
With the Kinks on hiatus since 1996, Ray and Dave Davies continued to record and tour behind their own acclaimed solo albums. In the mid/late 1990s and early 2000s, Dave treated fans to a flurry of activity with soundtrack work for director John Carpenter, a first musical collaboration with son Russ Davies, the retrospective Unfinished Business: Dave Davies Kronicles 1963-1998, a wild autobiography, Kink, his first album of all-new music in almost 20 years, Bug, and three live albums compilated from his US solo tours. Sadly, a debilitating major stroke in 2004 forced Dave to focus solely on regaining his health. Through determination and therapy, by 2007 Dave was well enough to record and release the album Fractured Mindz, and was ready to tour again in 2013 in support of his album, I Will Be Me. He continues to record and tour in 2018, most recently releasing Open Road in 2017, another collaboration with son Russ which has received glowing reviews.
Peter Quaife, who had been receiving kidney dialysis for more than ten years, died on 23rd June 2010. Ray Davies dedicated his emotional June 27th performance at the Glastonbury festival to his honour, telling the crowd, “I wouldn’t be here today if it wasn’t for him.” Pete’s brother David posthumously released Pete’s semi-autobiographical novel, Veritas, in 2011.
Ray Davies pioneered the incredibly-popular acoustic/spoken-word Storyteller show concept for music channel VH1, in tandem with his 1994 book X-Ray, his “unauthorized autobiography” written in an unusual, third-person style, and toured extensively over the next several years to rapt audiences thrilled to see him in intimate venues. However, 2004 was also a cruel year for him, as he suffered a serious gunshot wound to the leg in New Orleans chasing down a mugger who had stolen his partner’s purse. His recovery from this event has since informed his work in a deeper, more personal look into the meaning of his life and career, as well as a broader view of American culture in his books Waterloo Sunset and Americana: The Kinks, The Riff, The Road, The Story, and albums Other People’s Lives (2006), Working Man’s Café (2007), and musical book companion LPs Americana (2017), and Our Country: Americana Act II (2018).
In addition to his solo albums and books, Ray continued to expand his work into musical theater with an autobiographical bent with 2008’s Come Dancing at the Theatre Royal Stratford East, and the critical smash Sunny Afternoon in 2014, garnering him an Olivier Award for Outstanding Achievement In Music. He has worked extensively with the Crouch End Festival Chorus, recording The Kinks Choral Collection in 2009, and performing The Kinks’ Village Green Preservation Society album with them and the London Philharmonic in 2011 for that year’s Meltdown Festival, which he curated.
In the considerable amount of honors and awards he has received, two stand out: Ray Davies’ 2004 CBE from Queen Elizabeth II, and his 2017 knighthood. This recognition from his country, surely unimaginable when Ray and Dave began performing songs at their local pub as teenagers
in the early 1960s, speaks to the profound cultural change that Davies and his peers helped bring about through their music.
The scruffy band from London’s working-class outskirts continues its influence into each new generation of fans. Grandparents all the way to their grandchildren love The Kinks, and when you ask them why, you’ll see a light in their eyes that belies a deep affection like no other band engenders. The Kinks have always stood with the regular folks, immune to trends or commercial interest, and told their stories in a way unique in rock music. From the hard-hitting sonic blast of You Really Got Me to the wistful sweetness of Waterloo Sunset, to the clever, censor-busting wordplay of Lola to the nostalgic pop of Come Dancing, the Kinks’ music is relatable, inclusive, joyous, thoughtful, and beloved. They will forever be, as they sang in 1966, “not like anybody else”. The world is all the better for it, and that will continue for some time yet…
Ray Davies, from a June 2018 UK TV interview with Channel 4 – “We’ve got an album coming out later this year called “The Village Green Preservation Society” anniversary album, and that was the last album the first band made before the bass player, Pete Quaife left. It’s kind of a tribute to him and the first band.”
“The Kinks Are The Village Green Preservation Society” stands as one of the most-admired albums in rock music history, years after it sold nothing and seemingly made little impact on late 60s fans.
When all of their musical peers were shouting about revolution and fighting in the street, the Kinks understood the value of the small, singular voice, and had the nerve and stubbornness to be themselves in a musical arena which encouraged copying ideas and styles and trends from others to keep your profile high and bank account full. “The Kinks Are The Village Green Preservation Society” is The Kinks. Fifteen little songs — “The Village Green Preservation Society,” “Do You Remember Walter?” “Picture Book,” “Johnny Thunder,” “Last of the Steam-powered Trains,” “Big Sky,” “Sitting by the Riverside,” “Animal Farm,” “Village Green,” “Starstruck,” “Phenomenal Cat,” “All of My Friends Were There,” “Wicked Annabella,” “Monica,” “People Take Pictures of Each Other” – each one filled with rich characters, strong wistful visuals drawn of a green and pleasant land that to Ray Davies seemed to be slipping away, fast. It was so simply literary that it felt like an extension of “Alice In Wonderland” or “The Story Of Ferdinand” or one of Hans Christian Andersen’s tales – that sadness and confusion about the world wrapped in some kind of hopefulness. No drama, no grandness, no apologies, no pretense, every single song compelling and sweet and strange. You don’t forget them.
“The Kinks Are The Village Green Preservation Society” receives its full due at last, in a comprehensive 50th Anniversary album release from BMG/ABKCO, coming soon.
Written by Marianne Spellman July 2018
The Kinks Are The Village Green Preservation Society
50th Anniversary Edition Set for Release Oct 26th
Includes Previously Unreleased New Track ‘Time Song‘
Proud Gallery Photo Exhibition Oct 4th – Nov 18th
50th Anniversary Multi-Format Releases: Super Deluxe Box Set, 1CD, 2CD Deluxe, LP, Digital, MFiT & HD
Listen to ‘Time Song’:
YouTube Lyric Video: https://thekinks.lnk.to/TimeSongYTPR
The Kinks will release a 50th Anniversary Edition of one of the greatest British rock albums of all time ‘The Kinks Are The Village Green Preservation Society’ on BMG October 26th.
This essential album by one of the world’s best ever bands is defined by the extraordinary catalogue of Ray Davies’ songs, driven by brother Dave Davies’ power pop guitar and became the foundation of generations of British guitar pop. ‘TheKinks Are The Village Green Preservation Society’ cemented Ray Davies reputation as one of Britain’s greatest ever songwriters of his and any generation.
“I think The Village Green Preservation Society is about the ending of a time personally for me in my life,” says Ray. “In my imaginary village. It’s the end of our innocence, our youth. Some people are quite old but in the Village Green, you’re never allowed to grow up. I feel the project itself as part of a life cycle.”
Somewhat overlooked upon its release in November 1968, ‘The Kinks Are The Village Green Preservation Society’ is now regarded as one of the best British albums ever recorded. Created in difficult circumstances by a band on the verge of disintegration and who refused to follow fashion, it is an album of timeless, perfectly crafted songs about growing up and growing old, and the decline of national culture and traditional ways. Enduring and unsurpassed, with its wit, sadness, quiet anger, regret and charm, it is generally considered the high point of The Kinks’ outstanding career and Ray Davies’ masterpiece.
Included in this anniversary edition are many previously unreleased tracks and versions, including the previously unreleased track ‘Time Song‘. Despite never been included on a release, ‘Time Song’ was performed by The Kinks at the Theatre Royal, Drury Lane in January 1973, celebrating Britain’s entry into the Common Market.
‘When we played a concert at Drury Lane in ’73 to “celebrate” us about to join what was called The Common Market, I decided to use the song as a warning that time was running out for the old British Empire.’ Says Ray. ‘This song was recorded a few weeks later but never made the final cut on the Preservation Act I album. Oddly enough, the song seems quite poignant and appropriate to release at this time in British history, and like Europe itself the track is a rough mix which still has to be finessed.’
Ray mixed the track earlier this year and it is included on the new VGPS Deluxe Box Set and Deluxe 2CD. The single version will also be available as a limited edition 7″ single exclusively with pre-orders of the box set via The Kinks Music Glue official store, and as a digital download single.
The deluxe box set includes extensive sleeve notes, interviews, photography and specially created online & press content “telling the story” of the album’s production, release and cultural impact. Also included are two essays on the album written byPete Townshend and renowned journalist Kate Mossman.
Launching October 4th, there will be an exhibition at London’s Proud Central Gallery titled ‘The Kinks Are The Village Green Preservation Society’ which will run until November 18th displaying a selection of rare collector’s items including specially commissioned artworks by members of the band and vintage memorabilia, together with a collection of photographs documenting this remarkable period in the band’s history. Each work is hand-signed by surviving band members Ray Davies, Dave Davies and Mick Avory – visit www.proud.co.uk for more info.
THE KINKS ARE THE VILLAGE GREEN PRESERVATION SOCIETY
50TH ANNIVERSARY RELEASES
SUPER DELUXE BOX SET
(In special packaging with debossed box cover, foil & metallic text and linen cloth finish. Bespoke accessories holder. 174 audio tracks total)
LPs (180 gram heavyweight vinyl):
– Gatefold 2LP featuring original album new stereo remaster and new mono remaster. Original artwork faithfully reproduced in high resolution
– Continental (Swedish) original 12 track version of the LP
2018 Stereo Remaster, from the original HD tape transfers + bonus tracks of singles, B sides and original album related tracks
2018 Mono Remaster, from the original HD tape transfers + bonus tracks of singles, B sides and original album related tracks
Village Green Sessions – Including alternate versions, mixes and backing tracks, many previously unreleased
Village Green At The BBC – TV performance track audio and band interviews, many previously unreleased
Preservation, Sessions, Live & Demos – including mid 70s recordings, previously unreleased home demos, Ray Davies live in Denmark 2010 and unreleased track ‘Time Song’.
CD booklet includes notes by Ray Davies on the home demos and comprehensive track source and mastering notes from world renowned mastering engineer Andrew Sandoval
7″ singles (reproduced original picture sleeves):
– Days / She’s Got Everything (1968)
– Starstruck / Picture Book (1968)
– The Village Green Preservation Society / Do You Remember Walter? (1969)
Deluxe, beautifully produced, 52-page hardback photo book with extensive sleeve notes and new band interviews, essays by Pete Townshend and other writers, plus rare and unseen Kinks Village Green related photos and imagery
Reproduced original memorabilia: Poster of Village Green LP inner gatefold; Empire Liverpool 1968 tour poster; glossy 10″ x 8″ photos from Hampstead Heath 1968 photoshoot; colour press photo with reproduced band signatures; Bournemouth 1968 gig ticket; PYE Records promo card; ‘Days’ sheet music
1LP: ART OF THE ALBUM
2018 Stereo Remaster of original album, from original tape high deﬁnition transfers.180 gram heavyweight vinyl. Original gatefold artwork replicated. Insert with notes and band photos
1CD: ART OF THE ALBUM
2018 Stereo Remaster of original album, from original tape high deﬁnition transfers. Booklet with notes, band quotes and Village Green era photos Insert with notes, band quotes and Village Green era photos.
2CD DELUXE: ART OF THE ALBUM
Original album 2018 stereo and mono remasters plus bonus tracks of singles, B sides, alternate versions, mixes and other original album related tracks. Contains previously unreleased track versions and unreleased new single ‘Time Song’. Hardback book packaging with linen finish, 20-page booklet with extensive notes, band quotes and rare Village Green era imagery. 49 tracks total
Original album 2018 stereo remaster plus key bonus tracks from the box set, including singles, B sides, alternate and unreleased versions, mixes and other original album related tracks. Contains previously unreleased new single ‘Time Song’. 60 tracks total
Original 15 track stereo album as: Standard Digital, MFIT & HD. Remastered from HD original tape transfers.
Original LP tracklist:
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Arthur Or The Decline And Fall Of The British Empire
50th Anniversary Edition Out October 25th on BMG/ABKCO
Formats: Deluxe Box Set, 2LP, 2CD & Digital
Features Brand New Doo Wop Choir Recordings, The Great Lost Dave Davies Solo Album, New Ray Davies Remixes
And A Host Of Previously Unreleased Tracks
Including “The Future”
To mark its 50th anniversary, The Kinks today announce a special release of Arthur Or The Decline And Fall Of The British Empire – out October 25th on BMG/ABKCO, which includes previously unreleased track “The Future” – https://youtu.be/dTWrThdOcEU.
Without doubt, the Kinks 7th studio album is one of the greatest rock albums ever made, a near perfect example of Ray Davies’ incredible storytelling ability in what was an innovation in 1969: a concept album. It’s also poignant that a record based on the story of emigrating from the UK around its potential to enter the Common Market should hit its 50th anniversary right now. With Brexit on the horizon, the themes of ‘Arthur’ ring alarmingly familiar.
Arthur received unanimous acclaim on its release. Each of its 12 original album tracks is an absolute gem and all perfect examples of Ray Davies’ intrinsic ability to weave a story around a song. In what was a golden period for the Kinks, Arthurfollowed another classic, The Kinks Are the Village Green Preservation Society when it was released on October 10th 1969.
Rolling Stone wrote: “Arthur is a masterpiece on every level. The Kinks supreme achievement and the best British album of 1969.” Melody Maker was equally enthusiastic: “Ray Davies’ finest hour……beautifully British to the core.“
“I started Arthur before the end of Village Green.” says Ray. “The albums piggyback one another because they are joined. I’d already written the song ‘Arthur’. I think I wrote ‘Australia’ when I was still living at 87 Fortis Green so it was quite early on. I remember taking it over to Dave, he lived in Cockfosters at the time, and playing it to him. We were laughing at the irony in the line, ‘nobody’s got a chip on their shoulder’.“
In the midst of the Arthur sessions, studio time was devoted to completing tracks for Dave Davies’ proposed solo album. The idea had progressed in staggered intervals since the initial success of Dave’s 1967 single, “Death Of A Clown” but, ultimately, never reached completion.
“One of the reasons the album wasn’t finished was because I felt The Kinks’ management and record company were forcing me too much,” Dave reflects. “I felt very comfortable being in The Kinks and it seemed fulfilling to be part of a band. I didn’t really want for more. I couldn’t see the point.”
Ray says; “Hearing Dave’s songs again after all this time, I found them quite moving because they were like the back story of what The Kinks were going through at the time.”
Reprise eventually scrapped the release by September 1969 and over the years, Kinks fans continued to obsess as to what Dave’s album – which some referred to as “A Hole In The Sock Of,” a working title Ray had jokingly thrown to a music journalist – might have contained.
Included in this anniversary edition are 4 CDs comprising of 81 tracks in total, 5 of them unreleased and 28 previously unreleased versions. These include 2019 newly remastered versions of the original album from HD sources (in its original track listing), mono and stereo single versions, B-sides, alternate mono and stereo mixes, rehearsal tracks, BBC mixes and the lost Dave Davies’ solo album, with bonus tracks.
It also includes Ray Davies’ compiled medley of unreleased demo tracks, 2 new recordings of Ray Davies with The Doo Wop Choir, “Arthur & The Emigrants” including one previously unreleased track, 3 previously unreleased “The Come Dancing Workshop Ensemble” tracks, and new Ray Davies remixes of “Australia” and “Shangri-La.”
A 68-page softback book has also been included, featuring extensive essays by world-renowned Kinks experts, original cancelled Arthur play co-scriptwriter Julian Mitchell, and original album sleeve designer Bob Lawrie. There are also new interviews with Ray Davies, Dave Davies and Mick Avory, as well as band photos, original release international cover artwork and printed memorabilia.
Four 7″ singles from the album can also be found – “Drivin,” “Victoria,” “Shangri-La” & “Hold My Hand” (Dave Davies solo) – all reproduced with original international artwork. Finally, a bespoke, exclusive, metal & enamel Kinks logo pin badge is included for fans to wear.
THE KINKS ARTHUR OR THE DECLINE AND FALL OF THE BRITISH EMPIRE
LIMITED EDITION, 50TH ANNIVERSARY DELUXE BOX SET
– 88 TRACKS, INCLUDING 5 UNRELEASED TRACKS &
26 UNRELEASED VERSIONS
– 4 x CDs: REMASTERED MONO & STEREO ALBUM,
SINGLES, B-SIDES, ALTERNATE TRACK VERSIONS,
NEW DOO WOP CHOIR RECORDINGS, RAY DAVIES
REMIXES & DEMOS MEDLEY, THEATRICAL & BBC
TRACKS, ‘LOST’ DAVE DAVIES ALBUM
– 4 x REPRODUCED 7″ SINGLES
– 68 PAGE DELUXE BOOK WITH ESSAYS, NEW BAND
INTERVIEWS, RARE IMAGES
– REPRODUCED POSTERS & PHOTOS
– KINKS METAL PIN BADGE
THE KINKS – ARTHUR BOX SET – TRACK LISTING
ORIGINAL STEREO ALBUM, 2019 REMASTER
ORIGINAL MONO ALBUM, 2019 REMASTER
DEMOS, REHEARSALS, BBC & REMIXES
Brainwashed / Mr. Churchill Says (TV Premix)
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