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The Lumineers
III
On The Lumineers’ audacious new album, III (Dualtone, September 13), every note, every syllable, and every moment of silence in between is emotionally charged. Through its course, songwriters Wesley Schultz and Jeremiah Fraites make it emphatically clear that the arrangements don’t have to be dense for the songs to be intense.
For this pivotal project, Schultz and Fraites brought Simone Felice back into the fold and added violinist Lauren Jacobson. Felice helmed the group’s chart-topping, certified platinum second album, Cleopatra (2016), and Jacobson has now appeared on all three Lumineers’ albums and has played with them since 2011. She has also joined the band as a touring member, joining pianist Stelth Ulvang, bassist/backing vocalist Byron Isaacs and multi-instrumentalist Brandon Miller. (After eight years, cellist/vocalist Neyla Pekarek left the group in 2018 to embark on a solo career.)
The work is titled III not just because it’s The Lumineers’ third full-length album, but more significantly because nine songs are presented in three chapters, each focusing on one of three main characters (in addition to the nine songs the album contains an instrumental plus three more bonus songs that don’t fit in the narrative). The chapters also serves as the visual bookend for a sequential video series comprising the nine tracks, each directed by Kevin Phillips (whose 2017 film Super Dark Times is streaming on Netflix).
III is so taut in its narrative progression that one might assume it was created with premeditation, but that couldn’t be further from the truth. On the contrary, the work willed itself into existence out of a series of seemingly unconnected elements that magically locked together into a coherent whole.
These elements included detailed notes presciently scrawled by Schultz in a journal more than a decade ago: depicting both the harrowing experience of trying to save an alcoholic close relative from herself, and Schultz’s memories of a deeply absurd family portrait at Sears when he was a child. Another crucial component was a song commissioned and subsequently rejected by a filmmaker, which features a haunting piano passage repurposed by Fraites from years earlier, when he barely knew how to play the instrument. You can’t make this stuff up—but you can use it to make a musically powerful and psychologically complex artistic statement. For the longtime partners, the third time was indeed the charm, on all kinds of levels.
“The chapter idea started percolating back in 2007,” Schultz explains. “I have notes in my journal from that time about three EPs all tying together, but each one having a theme and forming an album. We were going to call it Love, Loss and Crimes. It just never happened—I had the title, but I didn’t have the songs. We initially considered naming this new album Love, Loss and Crimes, because we thought it had a good sound to it, but we ended up going with the Roman numeral III.”
The Denver-based New Jersey natives started to unlock the code while they were writing the album in the Catskills, where Felice lives and works. The first key was “Jimmy Sparks,” a song as vivid in its imagery and as devastating in its portrayal of an alienated father and son as a short story by Raymond Carver or David Foster Wallace.
“‘Jimmy Sparks’ set us off on a course we hadn’t really intended,” Schultz acknowledges. “I’d written a ton of verses for it, and it just wasn’t working. It was an interesting story, but we wanted there to be a hook; we wanted to find a way to relieve the listener and not just keep pummeling them with verse after verse. The Felice Brothers tell stories really well in their songs, and when Simone heard ‘Jimmy Sparks,’ he said, ‘This is definitely gonna make the record, and here’s how we’re gonna do it.’ At that point it became this interesting puzzle, where we had these clearly defined characters. And when we went backward and looked at the fact that I had some of these themes and characters, I realized we could create a world where they could all live together, that we could create a bigger story—the study of a family.”
In collaboration with Fraites, whose expressive piano plays a central role in the drama and beauty of these songs, Schultz refined and connected the characters who inhabited the songs they’d worked up. There would be a family tree spanning three generations: the grandmother, Gloria Sparks; her son, Jimmy Sparks; and her grandson, Junior Sparks. Each would be the focus of a three-song chapter, with the other two figuring in the unfolding narrative, the time frame constantly shifting.
“When you’re working with someone creatively to come up with ideas,” says Fraites, “your good idea is made great when it’s combined with someone else’s good one. After 14 years of Wes and I collaborating, it seems like strong ideas are just flowing out of us quicker and better than ever before.”
Album and Chapter One opener “Donna” introduces Gloria by way of a litany of details, the point of view shifting line by line. “It’s not the words you say but how you say it,” Schultz sings softly, with Fraites playing a lullaby on the piano. “I saved a picture where your hair was braided/They found your wallet in the cemetery/You told your daughter she was ordinary.”
Daughter Donna gets loaded and has a fling in Manhattan on New Year’s Eve in the following “Life in the City,” as the music intensifies. The rousing arrangement of “Gloria,” the album’s first single, belies the lyric’s somber description of Donna’s mother as she sinks deeper into alcoholism.
In “It Wasn’t Easy to Be Happy for You,” which begins Chapter Two, Junior’s girlfriend breaks his heart, dumping him for another guy. In “Leader of the Landslide,” Junior watches his father Jimmy sliding into the abyss after his wife Bonnie leaves him, drinking more heavily and getting hooked on gambling. Junior’s mom moves west and starts a new family in “Left for Denver”; the kid reacts by rebelling and getting in trouble.
“My Cell,” the first song in Chapter Three, finds Jimmy alone with his problems in his trailer, with its primitive painted landscapes standing in for actual windows. The climactic “Jimmy Sparks” spans two decades, starting with prison guard Jimmy buckling in the feverish baby son his wife left him with and driving to a gambling casino, and culminating with Junior, now a young man, spotting his father stumbling along the side of the road, barefoot in the snow, and driving right past this pathetic shell of a man—and by extension, this ruined family. “It was 3 AM,” Schultz repeatedly reminds us.
The piano instrumental “April” provides momentary relief from the emotional carnage, leading into the final song, “Salt and the Sea.” It opens with Schultz strumming his acoustic guitar as if his life depended on it, as he sings of a lifetime of regret and a deep yearning for resolution. In the middle section, Fraites’ crystalline piano passage enters, intimating the unattainable beauty of a life unlived, as Schultz gets to the heart of the matter. “I’ll be your friend in the daylight again,” he imagines, his voice rising with the bittersweet melody. “There we will be, like an old enemy/Like the salt and the sea.”
“That piano line was the first creative idea I ever wrote,” Fraites recalls. “At the time I didn’t know much about the piano and was just messing around. And for me to find that idea again and put it into the last song of the album, which I think is one of the better songs we’ve ever written together, was one of those ‘Oh, wow’ moments, as if the stuff unearthed today from over a decade ago was just waiting for this album.”
“It’s funny how life works,” Schultz says of the convoluted gestation of “Salt and the Sea.” “We were opening for U2, and M. Night Shyamalan was backstage. We struck up a friendship with him, and when he was making Glass, he said, ‘I need a certain kind of song for when the credits roll.’ He described the movie, and so we tried on a different hat when we wrote what became ‘Salt and the Sea.’ It’s got this James Bond chord progression, and it has this tension running through it. We had no plans to put that song on the album, but once we’d written it for him, I said to Jer, ‘Man, I really hope we can put it on our record’ We liked it so much. And then, as luck would have it, he told us it didn’t work in the movie, and that was more than fine for us. So we accidentally got pushed into that direction, and I think ‘Salt and the Sea’ fits well with the energy of ‘My Cell’ and ‘Jimmy Sparks.’ There’s a darkness to that last part of the record.”
Fans don’t usually associate The Lumineers with darkness. “When people hear [the 2012 crossover hit] ‘Ho Hey,’ this simple sunny song, “Fraites says.. “But that’s okay, that was our intent. It sounded minimalistic because we wanted it to feel that way—we wanted that vibe.” But that was seven years ago, and the partners’ lives have changed considerably since then. In 2018, both became first-time fathers of sons, born two months apart. Schultz offers an analogy for his maturation as an artist and as a human being.
“I’m reading the Harry Potter series; Rowlings’ books get progressively darker, and it seems like books age like a person ages,” he notes. “And in a funny way, that’s part of our ambition. We came from a seemingly light place, even though if you listen to our earlier records there’s some dark subject matter—it just sounds happier. We’re allowing our palate to become a little darker, and I feel like it still works and it’s believable, which is a fine line to walk—you don’t want to seem like you’re trying too hard. But my favorite bands—The Beatles, The Stones with Exile on Main St., Dylan with Blood on the Tracks—always gradually pushed me in different directions without me realizing it. We could’ve probably put ‘Gloria’ on any one of the records and it would fit, but ‘My Cell’ and ‘Salt and the Sea’ wouldn’t, and ‘Jimmy Sparks’ especially wouldn’t. Like, what the hell is this? So trying to carve out a place for those darker songs was the big challenge.”
“First and foremost,” Fraites adds, “when Wes and I write, we just care about writing a good song; the music always comes first. This collection of songs worked out in a beautiful way, and I feel with this album we’ve really hit our stride.”
THE LUMINEERS RELEASE COVER VERSION OF TOM PETTY’S “WALLS”
ALL Proceeds from Sales and Streams to Benefit MusiCares®
Listen here: http://smarturl.it/WallsTheLumineers
YouTube: https://youtu.be/DAUMCoD5I30
On the one-year anniversary of his passing, The Lumineers today release their version of Tom Petty’s “Walls.” “Tom Petty is a musical hero of mine, and ‘Walls’ is such an incredible song,” shares the band’s Wesley Schultz, continuing “When I got married, my wife walked down the aisle to the song.”
The band opened up for Tom Petty and The Heartbreakers three times, but it was playing “Walls” in front of Petty that resonated most. The band performed the song at the annual MusiCares® Person of the Year Gala in 2017 where Petty was the honoree. “After we played,” Schultz remembers, “Petty told me how much he liked and appreciated the version, which was a great honor. This is our way of paying homage to him.”
All proceeds from the song will benefit MusiCares, a charity of the Recording Academy™, which provides a safety net of critical assistance for music people in times of need.
ABOUT MUSICARES:
A friend and ally of the music community, MusiCares was established by theRecording Academy to safeguard the health and well-being of all music people. A four-star charity and safety net in times of need, MusiCares offers confidential preventative, recovery, and emergency programs to address financial, medical, and personal health issues. Through the generosity of our donors and volunteer professionals, our dedicated team works across the country to ensure the music community has the resources and support it needs.
For more information, visit www.musicares.org, “like” MusiCares on Facebook, and follow @MusiCares on Twitter and Instagram.
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THE LUMINEERS RELEASE ACOUSTIC COVER OF WILLIE NELSON’S HOLIDAY CLASSIC “PRETTY PAPER”s
ALL PROCEEDS WILL BE DONATED TO THE BROWN PAPER BAG MOVEMENT
Listen to “Pretty Paper”:
http://smarturl.it/LumineersPrettyPaper
Today, The Lumineers release their acoustic rendition of Willie Nelson’s holiday classic “Pretty Paper“. All of the band’s proceeds from the first year of sales and streams will benefit the Brown Paper Bag Movement (BPBM), a grassroots program aimed at feeding and clothing the homeless.
The band recently performed on 24 Hours of Reality: Protect Our Planet, Protect Ourselves, an annual broadcast hosted by former US Vice President Al Gore. The program visits countries around the world to hear from policymakers, thought leaders, and citizen activists on the front lines of climate change to discover how this crisis is impacting health worldwide.
In early October, The Lumineers also shared a cover of Tom Petty’s “Walls” to benefit MusiCares®. The band opened up for Tom Petty and The Heartbreakers three times and performed “Walls” at the annual MusiCares® Person of the Year Gala in 2017, where Petty was the honoree.
For information on The Lumineers, visit thelumineers.com.
To find out more about BPBM, visit brownpaperbagmovement.org.
ABOUT THE LUMINEERS:
Denver, Colorado’s The Lumineers released their eponymous debut album through Nashville’s Dualtone in 2012. The triple platinum album garnered two GRAMMY nominations and spawned the chart-topping platinum singles, “Ho Hey” and “Stubborn Love”. The band also served as Saturday Night Live‘s musical guest on January 19, 2013.
After years of touring the world in support of their debut album, the band released the follow up Cleopatra on Dualtone, in 2016. The platinum album debuted #1 on both Billboard’s Top 200 Albums Chart and the UK Albums Chart and featured the gold title track as well as the platinum single, “Ophelia”. The tour in support of Cleopatra included two sold out shows at Madison Square Garden and one at the Hollywood Bowl.
The band has also supported two of their musical heroes, including opening up for Tom Petty and the Heartbreakers on his last tour as well as U2 on their “Joshua Tree Tour” in 2017. The band was also invited as guests to visit the Obama White House twice in 2016.
CONNECT:
Website: thelumineers.com
Instagram: @thelumineers
Facebook: @thelumineers
Twitter: @thelumineers
THE LUMINEERS ANNOUNCE NEW ALBUM, III TO BE RELEASED SEPTEMBER 13TH
FIRST SINGLE “GLORIA” AVAILABLE TODAY
III: THE WORLD TOUR – FIRST DATES ANNOUNCED
Stream “Gloria” Here:
http://thelumineers.lnk.to/III
Watch “Gloria” Lyric Video Here:
The Lumineers will release their new album III on September 13th through Dualtone (an Entertainment One Company) in the U.S. and Canada and Decca Records for the rest of the world. The two-time GRAMMY nominated band has also released “Gloria,” the first single from the album, which is out today. Lead vocalist Wesley Schultz says the song “is about love between an addict and her family.”
The new album III is audacious: every note, every syllable, and every moment of silence in between is emotionally charged. The album is darker in tone than previous albums and is presented in three chapters, with each one centering on one main character from a fictitious family known as the Sparks, who span three generations in the album’s storyline. III‘s concept began while the band was writing in the Catskill mountains, where producer Simone Felice works. Mixing raw emotional themes with their ear-catching melodies, expressive vocals and trademark acoustic sound, III moves masterly in artistic directions not yet traveled by the band.
Written by the two founding members, Schultz and multi-instrumentalist Jeremiah Fraites, the album sees violinist/vocalist Lauren Jacobson officially joining the band. Her playing can be heard on the band’s previous two albums. She joins the touring lineup that includes pianist Stelth Ulvang, bassist/backing vocalist Byron Isaacs and multi-instrumentalist Brandon Miller. (After eight years, cellist/vocalist Neyla Pekarek left the group in 2018 to embark on a solo career.)
The Lumineers have enjoyed substantial commercial success: their 2012 self-titled debut featured the hit single, “Ho Hey” and was certified triple-platinum in 2018, the same year their 2016 sophomore album, Cleopatra, was certified platinum and hit #1 on the Billboard Top 200. They’ve had 18 #1 hits on Triple A, Alternative and other radio charts, including “Ophelia” maintaining #1 for 13 weeks on Triple A. The Lumineers became only the second artist in history to hold the top slot on the AAA chart for that length of time. The band has sold out tours across the world, with over 300,000 tickets sold on 2017’s Cleopatra World Tour and ended with 27 sold out arena shows. The Lumineers have also supported icons and their musical heroes on the road, including Tom Petty and the Heartbreakers on his final tour and U2 on its Joshua Tree tour. This year, the band plans to tour across the U.S. and Europe, including their biggest ever UK shows at The O2 Arena London, Manchester Arena, The SSE Hydro Glasgow, and dates across Europe including 3Arena Dublin, Le Zénith Paris and Verti Music Hall Berlin, following a string of festival dates that include Hangout, Bonnaroo, Outside Lands, Woodstock and more.
Regarding the new album, Fraites says, “This collection of songs worked out in a beautiful way, and I feel with this album we’ve really hit our stride.”
TRACK LISTING:
1. Donna
2. Life In The City
3. Gloria
4. It Wasn’t Easy To Be Happy For You
5. Leader of The Landslide
6. Left For Denver
7. My Cell
8. Jimmy Sparks
9. April
10. Salt And The Sea
11. Democracy (Bonus Track) (Leonard Cohen cover)
12. Old Lady (Bonus Track)
13. Soundtrack Song (Bonus Track)
TOUR DATES:
5/19 – Gulf Shores, AL – Hangout Musical Festival
6/2 – Camden, NJ – Radio 104.5 Birthday Show
6/15 – Chicago, IL – 101 WKQX Pigniq
6/16 – Manchester, TN – Bonnaroo Music Festival
6/22 – New York, NY – Alt 92.3 Summer Open
6/29 – Odense, Denmark – Tinderbox
7/19-21 – New South Wales, Austrailia – Splendour in the Grass
7/26 – Niigata, Japan – Fuji Rock Festival
8/2 – MontreaI, QC – Osheaga Festival
8/7 – Denver, CO – The Mission Ballroom
8/9-11 – San Francisco, CA- Outside Lands
8/16 – Watkins Glen, NY – Woodstock Music & Arts
9/21 – Asbury Park, NJ – Sea Hear Now Festival
11/1 – Lisbon, Portugal – Campo Pequeno
11/2 – Madrid, Spain – WiZink Center
11/4 – Milan, Italy – Alcatraz
11/6 – Zurich, Switzerland – Halle 622
11/7 – Munich, Germany – Zenith
11/9 – Vienna, Austria – Gasometer
11/10 – Prague, Czech Republic – Forum Karlin
11/13 – Hamburg, Germany – Sporthalle
11/14 – Berlin, Germany – Verti Music Hall
11/16 – Brussels, Belgium – Ancienne Belgique
11/18 – Utrecht, Netherlands – TivoliVredenburg
11/19 – Cologne, Germany – Palladium
11/20 – Paris, France – Le Zenith
11/22 – Glasgow, UK – The SSE Hydro
11/24 – Manchester, UK – Manchester Arena
11/27 – London, UK – The O2
11/29 – Dublin, Ireland – 3Arena
# # #
THE LUMINEERS
PERFORM NEW SINGLE “GLORIA”
ON THE LATE SHOW WITH STEPHEN COLBERT
WORLD TOUR STARTS IN JUNE, NEW ALBUM III OUT SEPTEMBER 13
Photo courtesy of CBS
“The Lumineers’ lead singer Wesley Schultz delivered an intimate and moving performance.”
– Billboard
WATCH “GLORIA” LIVE:
Last night, The Lumineers hit the stage at The Late Show With Stephen Colbert to deliver a captivating, intimate performance of their latest single “Gloria.” The new track is the first release from their forthcoming album III which comes out on September 13th via Dualtone (an Entertainment One Company) in the U.S. and Canada and Decca Records for the rest of the world. “Gloria,” according to lead vocalist Wesley Schultz, “is about love between an addict and her family.” As part of the set, the backdrop was complete with vintage patterns and found family footage.
In addition to “Gloria,” The Lumineers debuted “Nightshade” as part of the Game of Thrones soundtrack last week. Starting in early summer, the two-time GRAMMY nominated band have plans to tour across the U.S. and Europe, including their biggest ever UK shows at The O2 Arena London, Manchester Arena, The SSE Hydro Glasgow, and dates across Europe including 3Arena Dublin, Le Zénith Paris and Verti Music Hall Berlin, following a string of festival dates that include Hangout, Bonnaroo, Outside Lands, Woodstock and more.
For more information, visit thelumineers.com.
TOUR DATES:
5/19 – Gulf Shores, AL – Hangout Musical Festival
6/2 – Camden, NJ – Radio 104.5 Birthday Show
6/15 – Chicago, IL – 101 WKQX Pigniq
6/16 – Manchester, TN – Bonnaroo Music Festival
6/22 – New York, NY – Alt 92.3 Summer Open
6/29 – Odense, Denmark – Tinderbox
7/19-21 – New South Wales, Australia – Splendour in the Grass
7/26 – Niigata, Japan – Fuji Rock Festival
8/2 – Montréal, QC – Osheaga Festival
8/7 – Denver, CO – The Mission Ballroom
8/9-11 – San Francisco, CA- Outside Lands
8/16 – Watkins Glen, NY – Woodstock Music & Arts
9/21 – Asbury Park, NJ – Sea Hear Now Festival
11/1 – Lisbon, Portugal – Campo Pequeno
11/2 – Madrid, Spain – WiZink Center
11/4 – Milan, Italy – Alcatraz
11/6 – Zurich, Switzerland – Halle 622
11/7 – Munich, Germany – Zenith
11/9 – Vienna, Austria – Gasometer
11/10 – Prague, Czech Republic – Forum Karlin
11/13 – Hamburg, Germany – Sporthalle
11/14 – Berlin, Germany – Verti Music Hall
11/16 – Brussels, Belgium – Ancienne Belgique
11/18 – Utrecht, Netherlands – TivoliVredenburg
11/19 – Cologne, Germany – Palladium
11/20 – Paris, France – Le Zenith
11/22 – Glasgow, UK – The SSE Hydro
11/24 – Manchester, UK – Manchester Arena
11/27 – London, UK – The O2
11/29 – Dublin, Ireland – 3Arena
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SONGS ARE FROM
THE LUMINEERS RELEASE THE VIDEO FOR THEIR NEWLY AVAILABLE SONG “IT WASN’T EASY TO BE HAPPY FOR YOU”
OFF THEIR UPCOMING ALBUM III
BAND TO RELEASE VIDEOS FOR “LEADER OF THE LANDSLIDE” AND “LEFT FOR DENVER” IN THE COMING WEEKS
SONGS ARE FROM “JUNIOR SPARKS” AUDIO EP
“We try to speak kindly after a breakup, but sometimes the truth is a different story. This is the introduction to Junior Sparks, through his eyes and first-love heartbreak.”
– Lead Vocalist Wes Schultz
WATCH “IT WASN’T EASY TO BE HAPPY FOR YOU”:
The Lumineers have released the music video for “It Wasn’t Easy To Be Happy For You,” a song off their upcoming album III out September 13 on Dualtone (an Entertainment One Company) in the U.S. and Canada and Decca Records for the rest of the world. The upcoming album is a cinematic narrative told in three chapters, with songs from each chapter focusing on one primary character out of three generations of the fictional Sparks family. Each chapter is being released as an audio EP within the full-length album. Songs and videos from Chapter I, Gloria Sparks were released this past spring, and “It Wasn’t Easy To Be Happy For You” marks the first release from the second chapter Junior Sparks, the grandson of the aforementioned Gloria. Chapter III will revolve around Gloria’s son, “Jimmy Sparks.”
“Leader Of The Landslide”, the next song from Junior Sparks will be released on August 2 with a video for it coming August 5, and the chapter’s third song “Left For Denver” will be available on August 16 with the video coming August 19. All the videos for III are directed by Kevin Phillips and produced by Neighborhood Watch. Phillips is known for his filmsSuper Dark Times and Too Cool For School. The video stars Charlie Tahan (Super Dark Times, Ozark) and Emily Kimball (Undeserved, Bad Samaritan).
III is the third album by two-time GRAMMY-nominated band The Lumineers whose line up is original members and songwriters Wesley Schultz and Jeremiah Fraites plus Lauren Jacobson, Stelth Ulvang, Byron Isaacs and Brandon Miller. III follows two platinum albums, the 2012 self-titled debut and the 2016 sophomore album Cleopatra. “Gloria,” which Jon Pareles picked for the New York Times playlist upon release of its video, has topped the charts at three formats: Alternative, Triple A and Americana, and it follows the band’s tremendous legacy at radio including 18 #1 hits on various radio formats. The band has sold out tours across the world, with over 300,000 tickets sold on 2017’s Cleopatra World Tour and ended with 27 sold out arena shows.
The band has begun touring for III, headlining festivals like Glastonbury, Bonnaroo, Splendour in the Grass and Hangout, while also playing small intimate underplays in cities like Hattiesburg, MS; Birmingham, AL, Milwaukee, WI; and Brooklyn, NY. In the fall the band will play their biggest shows ever in the UK, headlining The O2 Arena London, Manchester Arena, The SSE Hydro Glasgow and dates across Europe including 3Arena Dublin, Le Zenith Paris and Verti Music Hall Berlin. The band will also continue doing festivals this summer including Fuji Rock, Osheaga, Outside Lands, Bumbershoot, Sea.Hear.Now and more. Headline tour dates in the US and Canada have not yet been announced.
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PRESS CONTACT:
Jim Merlis
Big Hassle Media
THE LUMINEERS ANNOUNCE 2020 NORTH AMERICAN TOUR
DATES ARE IN SUPPORT OF UPCOMING ALBUM, III
(Photo Credit: Danny Clinch)
The Lumineers have announced a 2020 headlining North American tour of arenas and amphitheatres. The tour dates are in support of their upcoming album III out September 13 on Dualtone (an Entertainment One Company) in the U.S. and Canada, and on Decca Records for the rest of the world. Mt. Joy, who recently emerged as “a fast and furious 21st century success story” (Magnet), has been added as support for multiple dates.
The Lumineers are playing the grand opening of the new state-of-the-art Mission Ballroom in their hometown, Denver. The show will be streamed live exclusively to The Lumineers’ Fan Club members via The Big Parade App. Join the Fan Club HERE. The special show starts at 8pm MT on August 7th.
The Lumineers will once again partner with CID Entertainment to offer fans the opportunity to pair a premium concert ticket with merchandise or pre-show access to the III Lounge, with hospitality and entertainment. Packages will be available beginning August 12th at 10am local time. For details, visit cidentertainment.com/events/the-lumineers-tour/
The band has been headlining festivals in the US and Canada, like Bonnaroo, Hangout Festival, and Osheaga, as well as playing worldwide festivals like Glastonbury, Tinderbox, Fuji Rock, and Splendour in the Grass. In the fall the band will play their biggest shows ever in the UK, headlining The O2 Arena London, Manchester Arena, The SSE Hydro Glasgow and dates across Europe including 3Arena Dublin, Le Zenith Paris and Verti Music Hall Berlin. Remaining headline festival appearances this summer are Osheaga, Outside Lands, Bumbershoot and Sea.Hear.Now.
In addition to the tour dates, the band announces that the song “Leader Of The Landslide,” will be released tomorrow and a video will be available on Monday, August 5.
Active members of The Lumineers Fan Club will have exclusive first access to purchase tickets during the Fan Club Presale! The official Big Parade Presale will begin Monday, August 12th at 10am local time. Public Onsale will begin Friday, August 16th at 10am local time. Click HERE https://thelumineers.com/tour-dates/for tour dates.
2020 NORTH AMERICAN HEADLINE TOUR DATES:
Feb 1 — Asheville, NC — U.S. Cellular Center
Feb 4 — Columbus, OH — Schottenstein Arena*
Feb 5 — St. Louis, MO — Enterprise Center*
Feb 7 — Detroit, MI — Little Caesars Arena*
Feb 8 — Cleveland, OH — Rocket Mortgage FieldHouse*
Feb 11 — Grand Rapids, MI — Van Andel Arena*
Feb 13 — Brooklyn, NY — Barclays Center*
Feb 16 — Charlottesville, VA — John Paul Jones Arena*
Feb 18 — Indianapolis, IN — Bankers Life Fieldhouse
Feb 19 — Nashville, TN — Bridgestone Arena*
Feb 22 — Chicago, IL — Allstate Arena
Feb 25 — Pittsburgh, PA — PPG Paints Arena
Feb 26 — Buffalo, NY — Key Bank Center*
Feb 28 — Washington DC — Capital One Arena
Feb 29 — Uncasville, CT — Mohegan Sun Arena*
Mar 4 — Toronto, ON — Scotiabank Arena*
Mar 7 — Ottawa, ON — Canadian Tire Centre*
May 15 — Woodlands, TX — Cynthia Woods Mitchell Pavilion
May 16 — Dallas, TX — Dos Equis Pavilion
May 19 — Jacksonville, FL — Daily’s Place
May 22 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
May 23 — West Palm Beach, FL — Coral Sky Amphitheatre
May 27 — Virginia Beach, VA — Veterans United Home Loans Amphitheater at Virginia Beach
May 29 — Charlotte, NC — PNC Music Pavilion
May 30 — Atlanta, GA — Cellairis Amphitheater at Lakewood
Jun 2 — Raleigh, NC — Coastal Credit Union Music Park at Walnut Creek
Jun 5 — Camden, NJ — BB&T Pavilion
Jun 6 — Saratoga Springs, NY — Saratoga Performing Arts Center
Jun 10 — Gilford, NH — Bank of New Hampshire Pavilion
Jun 12 — Mansfield, MA — Xfinity Center
*w/ Mt. Joy
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The Lumineers have released the music video for “Leader Of The Landslide,” a song off their upcoming album III out September 13 on Dualtone (an Entertainment One Company) in the U.S. and Canada and Decca Records for the rest of the world. The upcoming album is a cinematic narrative told in three chapters, with songs from each chapter focusing on one primary character out of three generations of the fictional Sparks family. Each chapter is being released as an audio EP within the full-length album. Songs and videos from Chapter I, Gloria Sparks was released this past spring, and “Leader Of The Landslide” marks the second song released from the second chapter Junior Sparks, the grandson of the aforementioned Gloria. Chapter III will revolve around Gloria’s son Jimmy Sparks.
“Left For Denver”, the last song of Chapter II, will be available on August 16 with the video coming on August 19. All the videos for III are directed by Kevin Phillips and produced by Neighborhood Watch. Phillips is known for his films Super Dark Times and Too Cool For School.
III is the third album by two time GRAMMY-nominated band The Lumineers whose line up is original members and songwriters Wesley Schultz and Jeremiah Fraites plus Lauren Jacobson, Stelth Ulvang, Byron Isaacs and Brandon Miller. III follows two platinum albums, the 2012 self-titled debut and the 2016 sophomore album Cleopatra. “Gloria,” which Jon Pareles picked for the New York Times playlist upon release of its video, has topped the charts at three formats: Alternative, Triple A and Americana, and it follow the band’s tremendous legacy at radio including 18 #1 hits on various radio formats. The band has sold out tours across the world, with over 300,000 tickets sold on 2017’s Cleopatra World Tour and ended with 27 sold out arena shows.
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Photo Credit: Danny Clinch
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Photo Credit: Danny Clinch
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Photo courtesy of CBS
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