Cat Power

BIOGRAPHY

There are few voices more deeply embedded in the iconography and mythology of American indie rock than that of Chan Marshall. Under the musical nom de plume of Cat Power, Marshall has released music for nearly 25 years now and her prowess as a songwriter, a producer, and most notably – as a voice – has only grown more influential with time. Cat Power Sings Dylan: The 1966 Royal Albert Hall Concertmarks the latest in a series of albums that see Marshall reimagining classics from the American songbook, rock ‘n’ roll history, and beyond, including 2000’s The Covers Record, 2008’s Jukebox, and 2022’s Covers, the latter of which was hailed by Pitchfork as “her widest ranging yet, illustrating her talent for radical reinvention.”

Now Cat Power recreates Dylan’s epochal 1966 concert – a 15-song set featuring classics like “It’s All Over Now, Baby Blue,” “Mr. Tamborine Man,“ “Like A Rolling Stone” as well as several cuts from Blonde on Blonde including “Just Like A Woman” – with both heartfelt reverence and a deep understanding of the delicate nature of song interpretation. Like the original concert (and all of Dylan’s 1966 world tour), Marshall kept the first half of her set entirely acoustic, then went electric for the second half with the help of a full band including guitarist Arsun Sorrenti, bassist Erik Paparozzi, multi-instrumentalists Aaron Embry (harmonica, piano) and Jordan Summers (organ, Wurlitzer), and drummer Josh Adams. In her own rendition of that historic night, Marshall inhabits each song with equal parts conviction and grace and a palpable sense of protectiveness, ultimately transposing the anarchic tension of Dylan’s set with a warm and luminous joy.

“I had and still have such respect for the man who crafted so many songs that helped develop conscious thinking in millions of people, helped shape the way they see the world,” says Marshall. “So even though my hands were shaking so much I had to keep them in my pockets, I felt real dignity for myself. It felt like a real honor for me to stand there.”